Covet Clarice

grimsperation:

Michele Caragher 

Embroidered details in Game of Thrones 

‘Michele Carragher is a London-based Hand Embroiderer and Illustrator who has been working in costume on film and television productions for over 15 years. She studied Fashion Design at The London College of Fashion, where the course incorporated design, pattern cutting, garment construction, embroidery, millinery and illustration. At the same time she attended a three year evening course in Saddlery at Cordwainers College learning skills in leatherwork.

After leaving college Michele worked in Textile Conservation, repairing and restoring historical textiles for private collectors and museums, specialising in hand embroidery. She then moved into a career in costume for film and television, initially working as a Costume Assistant/Maker on productions such as the BBC’s Our Mutual Friend, ITV’s David Copperfield and Mansfield Park. She soon gravitated towards the decoration and embellishment of costumes, using skills in hand embroidery and surface decoration, taking inspiration from the many historical textiles she had encountered working as a Textile Conservator. 

The first production that saw her undertake the role of a Principal Costume Embroiderer was for HBO’s 2005 Emmy Costume award-winning production of Elizabeth 1. Her most recent work has been on HBO’s 2012 Costume award-winning television series Game of Thrones, working on all three seasons.

As a Costume Embroiderer Michele specialises in hand embroidery and surface embellishment, using traditional hand embroidery techniques, smocking, beading and surface decoration. She works directly onto the completed garment or starts with motifs and textures on silk crepeline/organza, which are applied to the costume and then worked into once on the actual garment. She also works on existing machine embroidery designs that are not too dense, adding some hand stitching and beading to give a more authentic, hand-finished look.

Michele finds hand embroidery has more flexibility and diversity than that of embroidery created by machine, as there is a greater variety of thread choice and colours to use. It is also possible to work more easily on garments that are already constructed. However, machine embroidery in combination with hand work can be very useful when completing many repeats by creating light outlines or a less dense machine stitch, work can then be completed by hand and again can be carried out on a finished garment.

Michele is a highly creative Costume Embroiderer, producing original designs as well as working closely to a costume designer’s brief to create their desired look.’

Text and images from  http://www.michelecarragherembroidery.com

(via art-and-sterf)

eye-ball-god:

I finished my cosplay today, and got my friend John to take some pictures for me, out in a forest. I’m super stoked on how these came out!

(via bluandorange)

vythefirst:

parafox:

Some random shots of The Art of Bioshock Infinite (requested by Sue).

Err, pardon my poor photography skills and bad lighting. And, sorry for the late response, Sue. ;w;

eeeee I want this  A LOT AHHH

(via art-and-sterf)

The Angel Oak Tree is estimated to be in excess of 1500 years old, stands 66.5 ft (20 m) tall, measures 28 ft (8.5 m) in circumference, and produces shade that covers 17,200 square feet (1,600 m2). From tip to tip Its longest branch distance is 187 ft.

(Source: wanderlustingthoughts, via love-courage-ham-and-a-spoon)

tawnyscostumesandcuriosities:

Dating to about 1850, this beautiful gold tiara is set with round and leaf-shaped cabochon garnets in the form of a half-circlet of flowers and foliage. Made in England, the tiara shows the sort of requisite ornament worn by aristocratic English ladies at important functions. Similarly, it’s wholly demonstrative of the jewelry designs of the 1850s—designs which relied on natural ornament and motifs based on the beauty of the English garden

tawnyscostumesandcuriosities:

Dating to about 1850, this beautiful gold tiara is set with round and leaf-shaped cabochon garnets in the form of a half-circlet of flowers and foliage. Made in England, the tiara shows the sort of requisite ornament worn by aristocratic English ladies at important functions. Similarly, it’s wholly demonstrative of the jewelry designs of the 1850s—designs which relied on natural ornament and motifs based on the beauty of the English garden

(via agreyeyedgirl)

Waiting4Codot

—My Favourite Things (Tumblr Edition)

waiting4codot:

My Favourite Things
Tumblr Edition
(This version written and performed by Codot)

Watching the clever consulting Detective,
Timelords and Doctors, and the Borg Collective,
Princes of Asgard and Angels with wings,
These are a few of my favourite things.

Winchester Boys in their old ‘67,
Eccleston, Tennant, and Smith make 11,
Seeing White Walkers and Clashes with Kings,
These are a few of my favourite things.

Wizards who cast spells with deadly precision,
Inspectors who say it’s “not my division”,
GIF-ing The Hobbit and Lord of the Rings,
These are a few of my favourite things.

When Arthur dies,
“Let me through, please!”,
When the Angels Weep,
I try to remember my favourite things,
and then cry myself to sleep!

Billionaire geniuses bringing the party,
Desperately trying to thwart Moriarty,
It’s never over until the Ood sings,
These are a few of my favourite things.

Fluttershy, Applejack, and all the Ponies,
NUTCRACKER! Sam takes one in the Cojones,
Aang, Zuko, Bolin and Korra’s Bendings,
These are a few of my favourite things.

What time is it, why it’s time for Adventure,
Feeling the love between Xavier and Lehnsherr,
In fact, let’s go mad with all our shippings,
These are a few of my favourite things!

When I get hit,
Right in the feels,
When it makes me sad.
I simply remember my favourite things,
and then I don’t feel so bad!

(via hunterusheroicus)

thevintagethimble:

Ball Gown
Ca. 1842, British, silk & cotton.

This is a striking example of how 18th-century fabric was treasured. The textile was probably originally a 1740s dress which was taken apart and then reconfigured into this fashionable dress in the early 1840s. The elongated waist and V-shaped bodice front emphasize the bust and wide shoulders and were key features of the dresses of the period. | THE MET

(via art-and-sterf)